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11.02.2026

Villa Medici is delighted to welcome former fellow Sammy Baloji (2019-2020) for a screening. The artist will present his latest film, L’Arbre de l’authenticité. This work explores the remains of a research center nestled in the heart of Congo’s equatorial forest, dedicated to tropical agriculture, and highlights the weight of the colonial legacy as well as its inseparable links with the contemporary issues of climate change.
Located on the banks of the Congo River, the INERA research station at Yangambi was a thriving scientific center in its heyday. Today, it’s an amalgam of jungle and ruins, where questions of knowledge, power over knowledge and access to knowledge persist.
L’Arbre de l’Authenticité recounts the stigma of the ecological destruction begun at the time of colonization, through the voices of two emblematic scientists who worked in Yangambi from 1910-1950, Paul Panda Farnana and Abiron Beirnaert. Their stories embody the legacies of colonial modernity and trace the origins of today’s environmental injustice.
Running time: 89 minutes
Language: French, Dutch, ST English
Director: Sammy Baloji
Year: 2025
Director of photography: Franck Moka
Script (voice-over): Ellen Meiresonne, David Van Reybrouck, Thomas Hendriks
Voice-over: Edson Anibal, Diederick Peeters
Editing: Luca Mattei
Soundscapes: Chris Watson, Laszlo Umbreit
Mixing: Frédéric Furnelle
Calibration: Miléna Trivier
Producer: Rosa Spaliviero – Twenty Nine Studio & Production
Production manager: Juliette Hourçourigaray
With the support of : Vlaamse Overheid. Departement Cultuur, Jeugd & Media, Vlaams Audiovisueel Fund, Taxshelter.be and ING, Tax Shelter of the Federal Government of Belgium
In association with : ARTE France – La Lucarne
In coproduction with : Last Dreams Production, Shelter Prod
Wednesday, February 11, 2026
6.30 pm
Salle Cinéma of the Villa Medici
With director Sammy Baloji
Language: French, Dutch, ST English
Price: €5
Ticket office opening soon

Born in 1978 in Lubumbashi (Congo), is a visual artist and photographer, as well as co-founder of Rencontres Picha, a photography and video biennial in Lubumbashi. Since 2005, he has been exploring the memory and history of the Democratic Republic of Congo. His work is a perpetual search for the cultural, architectural and industrial heritage of the Katanga region, as well as a questioning of the effects of Belgian colonization. His videos and photographic series highlight the ways in which identities are shaped, transformed, perverted and reinvented.
Baloji took part in the Rencontres Africaines de la Photographie de Bamako in 2007, the Lyon Biennial in 2015, the Venice Biennial in 2015, the Photoquai festival at the Musée du Quai-Branly in 2015, the Dakar Biennial in 2016 and the XIV...