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20.03.2024
In this two-part literary concert, listeners move between two listening experiences.
Organized as part of the exhibition CELESTIAL EPICS.
Artistic direction: Séverine Ballon, Villa Médicis resident 2023-2024
With : Séverine Ballon, Edith Proust, Joris Rühl, Lê Quan Ninh
In partnership with La Muse en circuit – CNCM
The first is a headphone listening session in the exhibition CELESTIAL EPICS. while the performers play, invisible to the audience. In this moment, everyone is left to their own reverie, invited to wander among the works. A moment of intimacy, in direct contact with the sound and voice brought to the ear. → Discover the exhibition
Secondly, listeners move to the concert hall in the Grand Salon: headphones aside, they discover the stage and the four performers. They emerge from their own intimacy to experience the collective experience of listening to the concert. The concert is set to texts by Babouillec (1985 – ), author, poet and “autistic without words”, who can neither speak nor write. At the age of 20, she learned to communicate using a crate of cardboard letters, which she placed one by one on a sheet of paper. Using excerpts from this collection and the recently published Voyage au center d’un cerveau d’autiste, actress Édith Proust gives voice to the power and poetic fulgurances of this singular author.
“I am Babouillec very declared without speech. Alone locked in the systemic alcove, subterranean nurturer of silent weariness, I broke the mute boundaries and my brain decoded your symbolic word, writing. I kill my silent demons in the singular attempts of ephemeral exits from my cranium. Knowing how to walk the tightrope between the frontiers of human densities saves me from isolation. Nothing in immaterial sensory deconstruction justifies the reading of codes.”
– Babouillec, excerpt fromAlgorithme éponyme, published in 2013 by Christophe Chomant.
“Attention to detail, as if viewed through a magnifying glass and revealed by amplification and microphone, opens up paths to other sound worlds. The sound of rosin adhering to the string and then letting go, the accidental cracks that appear before the sound is fully formed, are all elements that can become musical voices and form counterpoints.” Séverine Ballon
Composer and cellist, these two activities feed into each other’s musical research. Séverine Ballon has premiered solos and concertos by Rebecca Saunders, Chaya Czernowin and Mauro Lanza. Winner of the Luc Ferrari competition in 2019, she composed the literary show“Je suis honorée d’être née dans ta tête” (2021) on texts by Babouillec. She has composed two original scores for feature films by director João Pedro Rodrigues: L’Ornithologue (2016) and Où est cette rue? (2022) co-directed with João Rui Guerra da Mata. Her solo album Solitude was released on the Aeon/Outhere label, and her first as a composer, Inconnaissance, on the All That Dust label.
A performer and composer, he devotes most of his time to contemporary music, whether written, improvised or jazz-oriented. He is a founding member ofUmlaut, a creative music collective and label created in 2009, as well as of the Parisian experimental orchestra ONCEIM, since its creation in 2011. He has performed on a number of European stages, as well as on the radio, appearing on France Musique and German national radio stations (WDR, SWR). Particularly interested in sound research, his music is a meticulous and fragile exploration of the possibilities of his instrument: a universe where surprises are strong, where detail is important.
His musical activity is divided between interpreting contemporary music and free improvisation. He was a founding member of the Quatuor Hêlios percussion ensemble from 1986 to 2012. In 2006, with cellist Martine Altenburger, he founded the ensemble]h[iatus, a contemporary music ensemble whose members are both performers and improvisers. He is artistic advisor to the Ryoanji Association and the Le Bruit de la Musique festival. As an improviser, he has been involved in a number of regular formations and occasional encounters. In 2014, he published Improviser librement – Abé – cédaire d’une expérience (Mômeludies).
After graduating from the Conservatoire Nationale Supérieure d’Art Dramatique (CNSAD) in Paris in 2013, she worked with Marie-Christine Soma and Daniel Jeanneteau in the play Trafic. At the CNSAD, she met Christophe Maltot, for whom she acted in Les Corbeaux volent sur le dos (2013) and On ne badine pas avec l’amour (2014). Her one-woman show focusing on improvisation and the art of clowning, Le Projet Georges premiered in 2015. She has performed for Joséphine Serre (Data, Mossoul), Benjamin Porée, Éric Massé, Jessica Dalle, Lena Paugham (Andromaque) and others. She is a member of the Pampa Festival, and her cinema credits include films by Fabrice Gobert and Emmanuel Mouret, as well as short films.
Produced by La Muse en circuit- CNCM
Aide à l’écriture d’une œuvre musicale originale du ministère de la Culture / Direction régionale des affaires culturelles d’Île-de-France
Wednesday, March 20, 2024
Two sessions: 6pm-7pm and 8:30pm-9:30pm
Exhibition halls and Grand Salon
Prices: €7 / €2 ( SOLO, DUO, TRIBU cards) In French translated into Italian