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31.03.2016
The installation by Nico Vascellari (Vittorio Veneto, 1976; lives and works in Rome), offers a vision of the most mysterious and ancestral aspects of nature, in dialogue with the frescoes that decorate the Studiolo. This vision unfolds in plastic, luminous and sonorous forms. Animal figures cast in bronze and distributed across the pavement(Yet to titled [hare], 2016; Yet to titled [squirrel], 2016; Yet to titled [pheasant], 2016), are illuminated in alternating phases by an intermittent and continuous light source(Earthrise, 2015), while verses from the animal world(Yet To Be Titled [foxes], 2016) resonate as background music.