Exhibition | SIREN SONGS

Water as told by artists

From 4 October 2024 to 13 January 2025

Curators: Caroline Courrioux and Sam Stourdzé


On the ground and in the atmosphere, as both an element and a resource, water constitutes us and overflows the world. Protean in form – rain, seas, droplets, dew, streams, clouds, fog, and tears – it is the essential source of all life. Diverted, extracted, and polluted, water has now become a vital issue in the ongoing ecological crisis. But although it has been conquered, the abyssal depths remain today more mysterious than the Moon, land of dreams, inhabited by fantastic monsters.

This exhibition follows the cycle of water, from sunken civilizations to ritual practices and the troubled waters of trade routes. The hybrid figure of the siren or mermaid, by turns malevolent and protective, half woman, half animal, acts as a guide to navigate between these worlds, from the depths to the surface. Her ambivalence resonates with that of water, a space of metamorphoses, between waters of rejuvenation and of doom.

The show invites us to explore the different states of water through the artists’ eyes, from its representation to its political implications, from the commodity transformed into a resource to the metaphorical quest for its source. Diving into this liquid world opens up a host of contradictions, when tales of water’s origins intermingle with those that conjure up future times in which it threatens us with flooding and drought, and sea levels rise while rivers run dry.

Laure Prouvost (b. Croix, France, 1978)*

Yiannis Maniatakos (b. Flomohori, Greece, 1935)

Monira Al Qadiri (b. Dakar, Senegal, 1983)
Simone Fattal (b. Damas, Syria, 1942)
Kusukazu Uraguchi (b. Shima, Japan, 1922)

Mounir Ayache (b. 1991), (fellow 2022-2023)*
Chiyuki Sakagami (b. Hyogo, Japan, 1961)
Himali Singh Soin (b. India, 1987)*
Emilija Škarnulytė (b. Vilnius, Lithuania, 1987)
Aïcha Snoussi (b. Tunis, Tunisia, 1989)

Dala Nasser (b. Tyr, Lebanon, 1990)*
Valentin Noujaïm (b. France, 1991), (resident 2023)* and Maïa Tellit Hawad (b. France)
Pamela Rosenkranz (b. Uri, Switzerland, 1979)
LaToya Ruby Frazier (b. Braddock, Pennsylvania, United States,1982)
Bassem Saad (b. Beyrouth, Lebanon)

Alix Boillot (b. Paris, France, 1992), (fellow 2023-2024)*
Bianca Bondi (b. Johannesburg, South Africa, 1986), (fellow 2024-2025)*
Gaëlle Choisne (b. Cherbourg, France, 1985)*
Jumana Emil Abboud (b. Nazareth, 1971)
Klodin Erb (b. Winterthour, Switzerland, 1963)
Ariana Papademetropoulos (b. Los Angeles, California, United States, 1990)*

Raffaela Naldi Rossano (b. Naples, Italy, 1990)
Rose-Lynn Fisher (b. Minneapolis, Minnesota, United States, 1955)

Younes Ben Slimane (b. Tunis, Tunisia, 1992), (resident 2024)
Hera Büyüktaşcıyan (b. Istanbul, Turkey, 1984)
Alex Cecchetti (b. Terni, Italy, 1977)
Estrid Lutz (b. France, 1989) 
Lou Masduraud (b. Montpellier, France, 1990)
Madison Bycroft (b. Kaurna Country, Australia, 1987), (fellow 2023-2024)*

*artists whose pieces have been specially commissioned for the exhibition.

Caroline Courrioux is head of Production of the Exhibitions and Cultural events at Villa Medici since 2021. Specializing in aesthetics and visual studies, she works on the links between contemporary art, ecofeminisms and political imaginaries. She previously supported artists and exhibition projects as production manager of the Rencontres d’Arles (France).

Sam Stourdzé is an exhibition curator. Since 2020 he has been the Director of the French Academy in Rome – Villa Medici, of which he is a former Fellow. He previously directed the Rencontres d’Arles (France) and the Musée de l’Élysée in Lausanne.

“Sirens, or mermaids, are part of our feminist history, and losing sight of this fact leads us to consider them without correlating them to gender, species, race, humanity […] They force us to focus attention on the question of becoming, on that of life in streams of water that make the world permeable and connected, outside any fantasy of total purification. This should serve not as a model, but as a guide: political, artistic, academic, and above all ethical. Becoming-sirens are intimately linked to our futures and to reinventing the subject in these times of our tragic ecologies.”

Myriam Bahaffou

28 €
352 pages
Around 170 illustrations
Format: 15,7 x 21,8
ISBN 979-10-95991-39-7

Myriam Bahaffou, philosopher; Alix Boillot, artist; Julien d’Huy, historian of myths; Vinciane Pirenne-Delforge, historian of religions; Sarah Rey, historian of Antiquity; Himali Singh Soin, artist; Ala Tannir, architect; Justinien Tribillon, urbanist.

The catalogue includes texts by Seneca and Pliny the Elder.

→ More information coming soon.


Press release on the exhibition Siren Songs

Timetable:
In French: every Saturday at 4:30pm
Price: €7

In Italian: every Saturday at 3:00 pm


IMAGES CREDITS
Madison BYCROFT, Waterlogue, Four to the Floor (2024), 4K digital video, four channels, color. Image © Joel White. Supported by Creative Australia, Mécènes du Sud, La Becque, and Villa Médicis.
Emilija ŠKARNULYTE, Sunken Cities, 2021, HD video, 5′, © Emilija Škarnulytė.
Monira AL QADIRI, Diver, 2018, HD Video, 4′ (loop), commissioned by Durub Al Tawaya VI (Abu Dhabi) and the 9th Asia Pacific Triennial (Brisbane), © Monira Al Qadiri.
Caroline Courrioux: © Margherita Nuti.
Sam Stourdzé: © Daniele Molajoli